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"By being in harmony with the elements and forces of
nature the work becomes a sacrificial offering
surrendered to the flames and reborn, it aspires towards
the ideal of timeless beauty. Complacency is not an
option. Each firing gives information to grow from and
inspires me to dive deeper, which keeps the work fresh
and enables me to express with heart and spirit. My goal
and ideal is to make objects of beauty that have a
transcending quality which can inspire another human
being, bring a little joy or add a positive presence to
one's living environment. For me, working with clay and
being a fire artist is a vehicle for spiritual growth. One
can say that my pots are offerings or prayers and my
kiln the temple to manifest them."
My kiln is an Anagama, which translates to cave kiln, it
is half buried underground and measures 40 feet long. It
requires ten days of constant attending and ten cords of
split pine to achieve the results I seek and to complete
one firing. The works from this kiln have a natural glaze, I
do not apply glaze to the pots. The color and texture is
caused by the climate, age and type of wood being
used, atmospheric conditions inside the kiln caused by
my intuition and experience, placement of the works,
wood ash from the burning fuel melting into the clay, fire
flashing the work and coals being maintained on the pots
themselves. The blending of these variables results in
endless variety of effects. For more information on Joe's
work, visit http://joebruhin.com or e-mail Joe at
JoeBruhin@gmail.com.
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